Last Sunday a few friends and myself went on an ambitious endeavor to watch a bullfight in Barcelona, after realizing that most days off we each respectively lay around without leaving our apartments. So upon hearing a rumor that there was a bullfight in the Plaza de Toros Monumental, a gorgeous amphitheater built in 1914 and is only a short walk from La Sagrada Familia (see previous post) where concerts are also held during the year for the biggest of bands. From our brief conversations with locals compounded with lecture information from the "Spanish Sports Culture" course, we effectively presumed this would be a great few hours of entertainment. Bullfighting is not very accepted or held in favor among Catalans, or people from Barcelona. Bullfighting is seen as inherently 'Spanish', and the stubborn inhabitants want to be seen as 'Catalan' - ergo more civilized. The Barcelona regional government has gone so far in the past to ban bullfighting in 2004 but the decision was overturned for what I can only assume were financial reasons. Due to the alleged unpopularity of bullfighting, we presumed that we wouldn't need to buy tickets in advance. This is where plans went horribly awry.
Bullfights are held every Sunday with the last and greatest bullfight of the year taking place on the Sunday of La Merce. So when we arrived at the stadium, we were surrounded by the 25,000 patrons from the Barcelona elite who were holding pre-purchased ticket in hand. Furthermore, everyone was dressed to the nines, with ostentatious fur shawls thrown over their new fall Dolce & Gabanna frocks and wide brimmed hats that I have drooled over in the windows on the walk to class every morning. After feverishly hunting for the ticket booth, and watching our better-prepared friends enter without delay, we found that the venue was sold out. This is when we learned that the last bullfight of the year is the biggest and best event, and any decent seat has been typically sold out for months (probably the same time period when the trophey wives ordered their designer customer made clothes). So I slumped away in my bargain cotton dress feeling dejected and despondent. I reported the news back to my friends who were trying to find a scalper at this point, which proves a much more difficult task when you aren't in Camden, where the scalpers come to you and... they stand out in the crowd, per say. So with tears welling in my eyes, the three boys went into panic mode (a girl crying in public is probably right up there with nuclear disaster or admitting you like Miley Cyrus' music). So they split up and within 15 minutes we had purchased four scalped tickets for only 30 euro each and were on our way inside. We made our way to the nose-bleed section, where we found our unmarked cement bench with enough space to fit the four of us.
NB: content below is pretty gruesome, so don't read if you are a vegetarian or PETA member
Inside the stadium was the first time I have seen guns in Spain - the guards all held them as protection due to the increasing PETA/Animal-Rights groups that tend to protest and cause a stir at these events. I understand that it is a very violent and bloody sport, where you essentially watch a one-sided barbaric gladiator fight and throw the word "culture" or "tradition" in front of it and people all adjust their monacles and appreciate the historic significance of the sport. I don't have a problem with it too much (they sell the meat after all, probably just to the pretentious D&G clad elite sitting 400 rows in front of me at an obscene price). I just wish it was a little more even than the one sided event I watched. Each bull enters the arenas with a large knife already in its back. From there it chases and is stabbed repeatedly by a whole team of apprentice matadors, which seems a little unfair already (6 v. 1?). Each matador has six assistants — two picadors ("lancers") mounted on horseback, three banderilleros ("flagmen"), and a mozo de espada ("sword page"). Collectively they comprise a cuadrilla ("entourage"). So already the bull is outnumbered, has no weapons, and plus the people get the time-out-zones for when the bull chases them behind four wooden gates where they can hide and regroup while the bull has no such safety zone. As the banderillos distract the bull with pink and yellow capes, the mozo de espada chases the bull and stabs six separate knifes (maybe about a foot long each) into the neck/back of the bull - weakening it as it becomes slower, more disoriented, while also becoming increasingly angry (thereby the entertainment factor). During this time, the bull goes after anything it sees, which is where the picadors come in. The bull charges and gores the two horses every time, while the picador mounted on horseback just stabs the bull repeatedly with a six-foot-long spear in attempt to wedge the bull out from his horse. Once the horse is bleeding sufficiently enough and the bull has lost interest, the horses & picadors leave the stadium (they kind of seem useless actually, although they significantly bloody the bull at the expense of their horse). To protect the horse from the bull's horns, the horse is surrounded by a peto — a protective cover. Prior to 1909, the horse did not wear any protection, and the bull could literally disembowel the horse during this stage.
Finally the matador comes in. He salutes the crowd, dedicates the death to the president/king, etc, removes his hat, and then begins the fight. He is even more ornately dressed then the other men and instead of carrying knives he actually has a long stick, a sword or two, and a red cape ("muleta"). This begins the final stage, the tercio de muerte ("the third of death"). Despite what your 5th grade world history teacher taught you, the color red does not actually anger the bull, as bulls are colorblind. The real reason is that the red cape is supposed to mask the appearance of blood (a la the British "Red Coat" uniforms during the War of Independence). The matador uses the cape to attract the bull repeatedly, and a good matador is able to demonstrate artistically his control over the bull by having it remain very close to him throughout the match, sometimes even walking around him in slow circles as it chases the flag and his body remains motionless. A good pass is usually rewarded with a loud "Ole" from the crowd, only used when the bull charges. When the bull walks slowly the crowd adamantly shhh's anyone who makes a sound, as to preserve the attention of the bull to the cape. Ultimately, after maneuvering the position of the bull, the matador uses his sword to stab the bull between the shoulder blades, through the aorta or the heart. The act of thrusting the sword is called an estocada. Sometimes, when things don't go well, the assistants come out and stab the bull behind its skull repeatedly until it dies (the bull at this point is usually laying on the ground but is still alive, just slowly bleeding).
We saw three matadors, who each fought two bulls for a total of six fights. The bull died in all but one of these matches. The woman sitting with us explained that if the bull fights bravely the entire time, without slowing down or giving up despite the swords in its body, the public or the matador will petition to grant the bull an indulto. This is when the bull's life is spared. The matador used the cape to slowly coerce the bull to run into a small cage (very very difficult to do), where the tail is cut off as a prize since the bullfighter was talented enough to complete such a task. The bull then leaves the ring alive and gets to stud the rest of its life. However, few bulls survive the trip back to the ranch. With no veterinarian services at the plaza, most bulls die either while awaiting transportation or days later after arriving at their original ranch. Death is due to dehydration, infection of the wounds and loss of blood sustained during the fight. However, the crowd likes to believe there is a happy ending for the bull.
The man who allowed the bull to live was actually José Tomás, who is pretty much the most famous and best matador in Europe. He had been gored several times this summer, only to finish the match before leaving in a stretcher to go to the hospital (youtube video of one of these incidents: http://es.youtube.com/watch?v=O4SSZL6WoI0&feature=related).




My roomate Valerie and myself @ Correfoc.




My closet post-destruction. Note the hole in the wall where I can play with asbestos and wires if I am feeling adventurous.
Gabby uses my clothing as a booster seat when online
Doorknobs, abandones carpets, any available surface is now designated for clothing storage.
cords cords everywhere, but not a wireless signal in sight.
this is what it looks like when your balcony door closes and your room becomes a prison cell.
Our gorgeous kitchen
Living room with a view
Our balcony, which extends the length of our apartment, including up to my room.
View from the balcony
View of Carrer de Entenca below
Our computer room, which I convereted into my closet/changing room
The prison cell of a bedroom shared by Gabby & I